It’s 2.15 on a Thursday afternoon. I’m in south-west France, the weather’s pretty good, and I’m about to meet Laird Hamilton. I should be feeling stoked, not least because for me as with many from the watersports fraternity, Laird has been a hero for years. But instead I’m walking gingerly from my hotel to my meeting, head pounding, eyes squinting from the glare of the sun, body aching as if I’ve been pounded with a sledgehammer all night.
My condition, as I am about to meet the epitome of health, vitality and masculinity, could be better. The problem is that I was whisked off to a party thrown by Laird’s sponsor, Oxbow, the previous night. This shouldn’t have been a problem at all, but I am to free champagne what Laird is to big waves. Totally fearless. I’ll take on as many glasses as you like. Trouble is that unlike the Hawaiian waterman, I suffer for my art. Laird is apparently indestructible but come Thursday lunchtime I’m barely capable of stringing a sentence together. Worse, the interview – originally scheduled for Friday – has been brought forward by a day.
Spencer, the photographer, calls to tell me this. I groan, tell him I’ll see him soon, and haul myself down to Les Cavaliers beach, the scene of the Oxbow World Pro Longboard Championships. As I’m walking along the well-heeled roads of Anglet I find myself thinking of Al Alvarez’s Feeding the Rat. Alvarez, an acclaimed writer and poet, wrote the book as a testament to his long-time climbing partner, Welsh legend Mo Anthoine. Anthoine explained his compulsion to keep pushing himself, to take ever greater risks, by the notion of feeding a rat that lurked perpetually inside him:
The rat is you, really. It’s the other you, and it’s being fed by the you that you think you are. And they are often very different people. But when they come close to each other, that’s smashing, that is. Then the rat’s had a good meal and you come away feeling terrific.
Just as I’m wondering if Laird’s life is explicable via the same metaphor, the man himself appears.










